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[ShortDescription] => NegPaint-Rimm- May
[Description] => Acknowledging the Negative - Lorraine Rimmelin - 1 day workshop- Sat 5/8 10am-2pm
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[StatusDate] => 2021-04-13T13:12:52.913
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[SpecialNotes] => In-person classes at ALLI follow safety protocols for social distancing.
All students are required to wear a mask in the building and under the tent at all times.
[Title] => Acknowledging the Negative: A Watercolorists Guide to Negative Space - with Lorraine Rimmelin | One Day Workshop: 5/8 | Spring 2021
[OnlineRegistrationDescription] => This is a terrific workshop for experienced artists aspiring to advance their skills, or for artists seeking an introduction to the important concept of using negative space in their paintings. Innovative examples will help artists become aware of the many possibilities they can explore. Strengthen your command and execution of washes, values, and edges. Join Lorraine as she leads students step by step through the joys of negative painting. All skill levels welcome. No drawing skills required.
Watercolorist Lorraine Rimmelin strives for a level of excitement and movement that engages the viewer in her interpretation of nature; finding dynamic juxtapositions in groups of flowers or shapes in a sunrise, and capturing the essence of these images as she develops her paintings.
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[SupplyList] => • BRUSHES: #6 & #10 Round, 1” flat Rigger, Bring any brushes your enjoy painting with
• PAINT: 1 of each- Red, Yellow, and Blue. I use Daniel Smith & Holbein paints. Bring your favorite brand paints & colors
• PAPER: 4 pieces of watercolor paper about 11”x14”. I use Arches 140lb and Fabriano Artistico 140lb, bring your favorite paper.
Additional Supplies:
• Pencil & Eraser
• Masking tape or large clips
• Drawing board (or other board to hold paper
• Spray bottle of water
• Blow dryer
• 2 water containers
• A palette with an area for mixing colors
• Paper towels
• Tracing paper
This list is to allow you to have the essential supplies needed without overburdening you with unnecessary items for a 1 or 2 day workshop. You may bring any supplies you are comfortable painting with.
MOST IMPORTANT:
Bring a cheerful & playful spirit! This workshop is designed to introduce you to watercolor painting in a friendly & nurturing environment.
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[ShortDescription] => Alcohol Ink-Rimm- June
[Description] => Alcohol Ink Workshop - Lorraine RImmelin - 2 day workshop- Sat 6/5&6/12 10am-2pm
[StatusDescription] => Canceled
[StatusDate] => 2021-06-03T13:27:44.83
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[Title] => Alcohol Ink: Simple Techniques = Vivid Results - with Lorraine Rimmelin | 2-Day Workshop: 6/5&6/12 | Spring 2021
[OnlineRegistrationDescription] => Painting with Alcohol Inks can be enjoyed by everyone from the professional artist to those who have never painted before. In this 2 day workshop you will explore using the inks, discovering what they can do & begin to paint and pour creative fun images. You will learn new & exciting ways to render loose & spontaneous florals & landscapes. The possibilities of what you can achieve using Alcohol Inks is only limited by your imagination. Day 1 we will be painting on TILE. Day 2 we will be painting on YUPO PAPER. Join Lorraine and enjoy the endless ways Alcohol Inks seem to defy imagination! This class is for all skill levels. No drawing skills required.
Watercolorist Lorraine Rimmelin strives for a level of excitement and movement that engages the viewer in her interpretation of nature; finding dynamic juxtapositions in groups of flowers or shapes in a sunrise, and capturing the essence of these images as she develops her paintings.
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[SupplyList] => • ACOHOL INK: can be purchased at Muchael’s or Hobby Lobby (use a coupon for best price). They come in a 3-pack, choose any colors you like. I suggest 2 3-packs. There are several different brands to choose- pick whichever ones are carried in the store your go to (brands include Ranger, Adirondack, Pinata, or Arto)
• Tiles – Plain white GLAZED ceramic tiles- These are very inexpensive so bring at least 6. You can purchase several different sizes and shapes of tile at Home Depot or Lowes. You’ll need 4”x4” & 6”x6”. 3”x6” & larger are good for landscapes.
• Yupo Paper – 2 pieces 5”x7” or larger
• Photo Printing Paper – You will paint on the back, so it must not have any ptinging on back
• Alcohol – Rubbing, 91% (NOT 70%)
• Small Round Brushes - #3 or #4 liner brushes, #2 or#3 round, (bring any brushes you like)
• Small welled palette – 6 wells
• Make-Up Sponges – wedges (dollar store)
• Cotton pads – round or square (dollar store)
• Gloves
• Scissor
• Canned Air – (“dust off’ canned air, cleans electronics) can be found at Walmart, Target, BigLots
• Board to hold your paper (drawing board, cardboard, matte board or foam board)
• Paper Towels
Optional Items:
• Stamper with Felt Pads also called Ink Applicator by Ranger
• Squeeze bulb to blow ait (Hobby Lobby or Amazon)
• Sharpie markers in assorted colors
• Lazy Susan to help turn the art as you work
• Small eyedropper or pipette
• 5”x7” Frame with glass – (dollar store) optional
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[ShortDescription] => AllaPrima - Nov Workshop
[Description] => Alla Prima Portrait Painting with Liz Masi | Fri-Sun | 11/12-11/14| 10AM-4PM | Fall 2021
[StatusDescription] => Canceled
[StatusDate] => 2021-11-02T11:07:36.343
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[SpecialNotes] => Students please bring a bag lunch.
[Title] => Alla Prima Portrait Painting with Liz Masi | Fri-Sun | 11/12-11/14| 10AM-4PM | Fall 2021
[OnlineRegistrationDescription] => Working quickly to capture likeness was a technique used by John singer-Sargent, Richard Schmidt, Max Ginsburg, and many other artists to achieve a fresh work of art, not labored but easy and exciting. Join Liz and watch her achieve likeness in oil working from live models. Mornings will feature instructor demonstrations; students will paint in the afternoons using ideas and skills they have learned. Liz gives individualized instruction and a different models sits each day. Feel free to work in your medium of preference - bring oils, pastels, or watercolors.
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[ShortDescription] => ArtForest WS Jan/Feb'23
[Description] => Art of the Forest: Painting Trees Workshop with Shain Bard | Sat 10 am - 1 pm | 1/14-2/18
[StatusDescription] => Underway
[StatusDate] => 2022-12-02T09:55:09.24
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[Title] => Art of the Forest: Painting Trees Workshop with Shain Bard | Sat 10 am - 1 pm | 1/14-2/18 | Spring 2023
[OnlineRegistrationDescription] => "Artists can in paint createTrees at imagination's gateas we to Mother Nature bowFor she will always show us how"-Shain Bard
Welcome to the vast, ubiquitous, and always wondrous world of Trees! Nature lovers and ecologists will thrive in this all levels painting workshop that celebrates the wonders of the bodies that make up our forest networks - the mighty tree. Students may work in the paint of their choice - either acrylic or oil (watercolors will not be covered in this course). In this workshop, students will work from reference photos of trees that speak to them to paint stunning 20" x 40" tree portraits. Students will provide their own pictures of trees up close and personal, with attention to bark markings and textures, angles, color, light, and mood. Shain Bard will guide students through the exciting and meditative process of translating their tree pictures on the canvas, along the way learning the important art concepts of shared edges, positive and negative shapes and interchange, and composition. At the end of the course, students may choose to hang their tree portraits together in the Art League's strolling gallery, creating our own enchanted forest.
SUPPLY LIST:
-one 20" x 40" canvas-Paints (either acrylic or oil)We recommend the following colors:Titanium white, payne's gray, lemon yellow, naples yellow pale, cadmium red, permanent alizarin crimson, ultramarine blue, pthalo or permanent green deep, golden ochre, and burnt sienna-several 5"x7" reference photos, printed (Shain will go over how to take reference photos on day 1)-painting medium (if using oils)-cup for painting medium or water-paper towels-brushes of your choice
-painting palette of your choice
Supplies required on day 1: -a 9"x12" drawing pad-pencils-eraser-scissors-glue (any kind)
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[ShortDescription] => ArtForest WS Sept/Oct 22
[Description] => Art of the Forest: Painting Trees Workshop with Shain Bard | Sat 10 am - 1 pm | 10/8-11/12
[StatusDescription] => Completed
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[Title] => Art of the Forest: Painting Trees Workshop with Shain Bard | Sat 10 am - 1 pm | 10/8-11/12 | Fall 2022
[OnlineRegistrationDescription] => "Artists can in paint createTrees at imagination's gateas we to Mother Nature bowFor she will always show us how"-Shain Bard
Welcome to the vast, ubiquitous, and always wondrous world of Trees! Nature lovers and ecologists will thrive in this all levels painting workshop that celebrates the wonders of the bodies that make up our forest networks - the mighty tree. Students may work in the paint of their choice - either acrylic or oil (watercolors will not be covered in this course). In this workshop, students will work from reference photos of trees that speak to them to paint stunning 20" x 40" tree portraits. Students will provide their own pictures of trees up close and personal, with attention to bark markings and textures, angles, color, light, and mood. Shain Bard will guide students through the exciting and meditative process of translating their tree pictures on the canvas, along the way learning the important art concepts of shared edges, positive and negative shapes and interchange, and composition. At the end of the course, students may choose to hang their tree portraits together in the Art League's strolling gallery, creating our own enchanted forest.
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-one 20" x 40" canvas-Paints (either acrylic or oil)We recommend the following colors:Titanium white, payne's gray, lemon yellow, naples yellow pale, cadmium red, permanent alizarin crimson, ultramarine blue, pthalo or permanent green deep, golden ochre, and burnt sienna-several 5"x7" reference photos, printed (Shain will go over how to take reference photos on day 1)-painting medium (if using oils)-cup for painting medium or water-paper towels-brushes of your choice
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Supplies required on day 1: -a 9"x12" drawing pad-pencils-eraser-scissors-glue (any kind)
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[ShortDescription] => ArtForest WS Dec 22
[Description] => Art of the Forest: Painting Trees Workshop with Shain Bard | Sat 10 am - 1 pm | 12/10-12/17
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Please be aware that this course is an extension to the last 6 week session of this course. New students are welcome to join and work o
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[Description] => Beadwork Bracelets Workshop with Randee Colter | Saturday 5/7 | 10 am-2 pm | Spring 2022
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[Title] => Beadwork Bracelets Workshop with Randee Colter | Saturday 5/7 | 10 am-2 pm | Spring 2022
[OnlineRegistrationDescription] => Enter the beautiful world of beadwork with workshop instructor Randee Colter to create unique clasp beadwork bracelets in this fun, all levels workshop. Randee began her journey into beadwork after taking silversmithing classes at the Art League of Long Island. She quickly learned that beadwork can be a meditative and rewarding process, and can be learned by anyone!
In this workshop, students will learn how to work with beading needles, Fireline, glass beads and findings to create a Peyote stitch SuperDuo bracelet. Peyote stitch, or the gourd stitch, is a commonly used stitch in beadwork that can be woven as flat strips, in a flat round shape, or as a tube. Use this versatile stitch to indulge your creative side and create a bracelet worthy of showing off!
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Other materials:
scissors
Any magnifying glasses or devices you may have
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[ShortDescription] => Botanical Wkshp May
[Description] => Botanical Watercolor - Alstroemeria, Liz Fusco, May
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• Make sure you download the Zoom app on the device you plan to use PRIOR to the start of class.
Tuition for virtual classes in non-refundable.
[Title] => Botanical Watercolor - Alstroemeria | One-Day Workshop with Liz Fusco | March | Spring
[OnlineRegistrationDescription] => If you have always wanted to learn how to paint Botanical subjects in watercolor, this class is for you. We will create a painting of an Alstroemeria flower from start to finish. Working from a photo, students will transfer a drawing onto watercolor paper and start with learning how to apply layers of washes and build up to a finished painting.
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• Paper: Arches 140 lb cotton watercolor paper, hot press - You can purchase a block or single large sheets
• Support for your sheets of paper- either a wooden board ( I use foam core from the Dollar Tree)
• Artist’s tape
• Tracing paper
• Pencils: H, 2B, 4B, 6B and kneaded eraser and a good pencil sharpener
• Brushes: I use a variety of brushes. Some synthetic and some Kolinsky sable from Winsor & Newton I recommend either: round #4, #8 and maybe one flat wash brush
• Palette: Any kind to hold your paint. I use Mijello and some ceramic palettes as well
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• Make sure you download the Zoom app on the device you plan to use PRIOR to the start of class.
Tuition for virtual classes in non-refundable.
[Title] => Botanical Watercolor - Stargazer Lily | One-Day Workshop with Liz Fusco | March | Spring
[OnlineRegistrationDescription] => If you have always wanted to learn how to paint Botanical subjects in watercolor, this class is for you. We will create a painting of a stargazer lily from start to finish. Working from a photo, students will transfer a drawing onto watercolor paper and start with learning how to apply layers of washes and build up to a finished painting.
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• Paper: Arches 140 lb cotton watercolor paper, hot press - You can purchase a block or single large sheets
• Support for your sheets of paper- either a wooden board ( I use foam core from the Dollar Tree)
• Artist’s tape
• Tracing paper
• Pencils: H, 2B, 4B, 6B and kneaded eraser and a good pencil sharpener
• Brushes: I use a variety of brushes. Some synthetic and some Kolinsky sable from Winsor & Newton I recommend either: round #4, #8 and maybe one flat wash brush
• Palette: Any kind to hold your paint. I use Mijello and some ceramic palettes as well
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• Make sure you download the Zoom app on the device you plan to use PRIOR to the start of class.
Tuition for virtual classes in non-refundable.
[Title] => Botanical Watercolor - Tulips | One-Day Workshop with Liz Fusco | March | Spring
[OnlineRegistrationDescription] => If you have always wanted to learn how to paint Botanical subjects in watercolor, this class is for you. We will create a painting of a tulip from start to finish. Working from a photo, students will transfer a drawing onto watercolor paper and start with learning how to apply layers of washes and build up to a finished painting.
[OnlineRegistrationHideTuition] =>
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• Paper: Arches 140 lb cotton watercolor paper, hot press - You can purchase a block or single large sheets
• Support for your sheets of paper- either a wooden board ( I use foam core from the Dollar Tree)
• Artist’s tape
• Tracing paper
• Pencils: H, 2B, 4B, 6B and kneaded eraser and a good pencil sharpener
• Brushes: I use a variety of brushes. Some synthetic and some Kolinsky sable from Winsor & Newton I recommend either: round #4, #8 and maybe one flat wash brush
• Palette: Any kind to hold your paint. I use Mijello and some ceramic palettes as well
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[ShortDescription] => Graphic Novel WS Stuart
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Ruler or straight edge
Pens - Pigma microns or a quill pen and india ink
Watercolor set - Winsor and Newton Cotman 12 set)
Watercolor round brush size 6 or 8
Watercolor paper 9x12 or larger (prefered brands are Legion Stonehenge or Arches Hot pressed)
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[ShortDescription] => WC Workshop Rimmelin Apr
[Description] => Loose Liquid Landscapes in Watercolor Workshop | Lorraine Rimmelin | 4/9 10 am - 2 pm
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[Title] => Loose Liquid Landscapes in Watercolor Workshop | Lorraine Rimmelin | 4/9 10 am - 2 pm | Spring 2022
[OnlineRegistrationDescription] => Do you want to loosen up your painting style? Painting loosely requires the ability to let go of controlling watercolor and allowing your paint to move freely on the paper. Losing control while painting can be a painter's worst nightmare - but in this workshop losing control is what makes or breaks these dramatic landscapes. Mastering the loose technique will create a movement of pigment and water to acheive stunning shapes and designs.
Are you ready to put paint on paper and let it flow?
Let's unlock our creativity and allow the watercolor paints to take us on a journey and see what is possible when we let it flow.
No drawing skills required - all skill levels welcome.
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[SupplyList] => Brushes: #10 round or larger, 2" flat, #4 rigger (and any brushes you like painting with)
Paint: These landscapes can be painted in any colors you like. Here are a few colors the instructor will be painting with:
Raw umber - raw sienna - yellow ochre - prussian blue - mineral violet - quinn rose - olive green - quinn gold
Tubes of paint only - we will be squeezing paint directly from the tubes. Bring any colors you have.
Paper: 4 pieces of 11" x 15" 140 lb watercolor paper
A full sheet (22" x 30") can be broken down to smaller sizes. I highly recommend you purchase Arches 140lb or 300lb. The techniques we will be using only work on high quality paper.
Additional Supplies: masking tape and a board to hold paper, spray bottle of water, and old towel or cookie sheet for dripping paint on, 2 large water containers, paper towels, a palette with a large mixing area, and old/used credit card or gift card. This list contains essential supplies needed to participate in this workshop.
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[ShortDescription] => Polymer Clay 4/23/22
[Description] => Polymer Clay Votive Candle Holders with Lesley DeLia | Saturday 4/23 | 10 am-2 pm | Spring 2022
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[Title] => Polymer Clay Votive Candle Holders with Lesley DeLia | Saturday 4/23 | 10 am-2 pm | Spring 2022
[OnlineRegistrationDescription] => Polymer clay is a versatile medium which is accessible even to those without any traditional clay work facilities. All you need is clay, your hands, and access to an oven at home. Join Lesley DeLia, a recent winner of the 2021 International Polymer Clay Association's Global Competition, in exploring the world of polymer clay and discovering the endless possibilities of what is so often misdiagnosed as a craft medium.
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[ShortDescription] => StudioVisit - Peikon 22
[Description] => Professional Artist Studio Visit with David Peikon | 10/19 10-11 am
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[Title] => Professional Artist Studio Visit with Lorraine Rimmelin | 4/19 10-11am
[OnlineRegistrationDescription] => Visit the professional working studio of artist Lorraine Rimmelin, and see where her creativity allows her paints to explode as she captures the essence of her subjects on paper.
This tour is a benefit of your membership and is free of charge.
The address will be given upon submitting your RSVP online at www.artleagueli.org/events
or contacting the registration desk.
Space is limited to 8 people.
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[ShortDescription] => Raku Workshop 5/18
[Description] => Raku Workshop with Toni Rosenbaum | 5/18 | 8:30 am - 5 pm
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[SpecialNotes] => In this hands-on Raku workshop, participants should bring 6-8 even thickness bisqueware pots. The pots for raku should be no larger than 6-8" wide and no taller than 13". Flat pieces are acceptable. Tall and narrow are best. Use raku clay or stoneware with grog (not sand). It is best to glaze pots 24 hours or more in advance but this can be done on site. Wear cotton clothing, long sleeves, long pants, a hat, and covered shoes (no sandals). As stated above this is a hands-on workshop. Please do not make other plans for early that evening - clean up is part of this workshop. Register early - space limited to 10 participants.
Registration and payment due by April 27th. Full tuition due at registration time -- no registration can be held without full payment. No refunds will be issued.
[Title] => Raku Workshop with Toni Rosenbaum | 5/18 | 8:30 am - 5 pm | Spring 2022
[OnlineRegistrationDescription] => The ancient Japanese firing method called Raku combines chemistry, fire, and smoke to produce gorgeous displays of color and lusters. The firing process is the heart and soul of the American Raku technique. The finished pieces are unpredictable. Glazes crackle in fascinating patterns and metallic oxides change colors depending on the amount od oxidation in the post firing reduction chamber.
In this hands-on Raku workshop, participants should bring 6-8 even thickness bisqueware pots. The pots for raku should be no larger than 6-8" wide and no taller than 13". Flat pieces are acceptable. Tall and narrow are best. Use raku clay or stoneware with grog (not sand). It is best to glaze pots 24 hours or more in advance but this can be done on site. Wear cotton clothing, long sleeves, long pants, a hat, and covered shoes (no sandals). As stated above this is a hands-on workshop. Please do not make other plans for early that evening - clean up is part of this workshop. Register early - space limited to 10 participants.
Registration and payment due by April 27th. Full tuition due at registration time -- no registration can be held without full payment. No refunds will be issued.
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[ShortDescription] => Meditation Workshop
[Description] => The Art of Meditation Workshop with Elizabeth Castelli | 3/30 | 7-8:30pm
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[Title] => The Art of Meditation Workshop with Elizabeth Castelli | 3/30 | 7-8:30pm | Spring 2022
[OnlineRegistrationDescription] => "The Art of Meditation" Workshop with Elizabeth Castelli
Discover the many facets of meditation and how to use meditation to enhance your creative process!
Join Elizabeth Castelli, RN, Reiki Master, Vipassana Meditator, Certified Professional Coach and Speaker, and we will discover:- What meditaiton is
- How meditation affects us
- How to use meditation to facilitate your creative self-expression
We will experience a guided meditaiton and touch the place where creativity resides, and then sketch and journal our insights.
Please bring a journal our sketch pad and something to write and/or draw with. Wear comfortable clothes.
Registration limited to 15.
Free and open to all! Register in advance to reserve your seat.
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[ShortDescription] => UnderSea-Rimm- May
[Description] => Under The Sea Watercolor Workshop - Lorraine RImmelin - 1 day workshop- Sat 5/22 10am-2pm
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[Title] => Under The Sea Watercolor Workshop: Using negative painting techniques - with Lorraine Rimmelin |1-Day Workshop: 5/22 | Spring 2021
[OnlineRegistrationDescription] => Seahorses and Starfish are fun subjects to paint because of their fascinating shapes and extraordinary colors. In this workshop ‘Under the Sea’ Lorraine will guide you as you paint the negative space which allows the image to come to life. Painting sea life can be as calming as a day at the shore and there is no limit on the colors you can use.
Join Lorraine and discovering how effortless it can be to paint these adorable sea creatures using negative painting techniques. Attending 'Acknowledging the Negative' is recommended for those artists who may not be familiar with negative painting.
Watercolorist Lorraine Rimmelin strives for a level of excitement and movement that engages the viewer in her interpretation of nature; finding dynamic juxtapositions in groups of flowers or shapes in a sunrise, and capturing the essence of these images as she develops her paintings.
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• PAINT: 1 of each- Red, Yellow, and Blue. I use Daniel Smith & Holbein paints. Bring your favorite brand paints & colors
• PAPER: 4 pieces of watercolor paper about 11”x14”. I use Arches 140lb and Fabriano Artistico 140lb, bring your favorite paper.
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This list is to allow you to have the essential supplies needed without overburdening you with unnecessary items for a 1 or 2 day workshop. You may bring any supplies you are comfortable painting with.
MOST IMPORTANT:
Bring a cheerful & playful spirit! This workshop is designed to introduce you to watercolor painting in a friendly & nurturing environment.
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[Description] => Watercolor Blowing Flowers Workshop with Lorraine Rimmelin | Saturday 6/4 9 am - 1 pm | Summer 2022
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[Title] => Watercolor Blowing Flowers Workshop with Lorraine Rimmelin | Saturday 6/4 9 am - 1 pm | Summer 2022
[OnlineRegistrationDescription] => Blowing Flowers & Negative Painting Watercolor Workshop with Lorraine Rimmelin
Flowers are a subject most artists love to paint, and in this workshop you will explore a totally unique way of creating flowers. Negative painting combined with the technique of blowing watercolor paint will allow you to paint unrestricted and completely outside of the lines. Seeing the flower shapes within an abstract wash is the beginning of the process. Layering flowers that are filled with colors & movement will define your individual style and end results. This is a must try technique for all artists. Whether you are an experienced artist or just started painting with watercolor, this is a great way to loosen up your artwork. And best of all you do not need any drawing skills for this class.
Painting flowers can be fun. This workshop will show you a new way of imagining and envisioning flowers in a way that you haven't likely encountered before.
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These are some examples of warm vs. cool colors
- Cad yellow med vs. lemon yellow
- Cad red med vs. permanent alizarin crimson
- ultramarine blue vs pthalo blue
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[Title] => Watercolor Finding Flowers Workshop with Lorraine Rimmelin | Saturday 8/27 10 am - 2 pm | Summer 2022
[OnlineRegistrationDescription] => Finding Flowers in Watercolor Washes Workshop with Lorraine Rimmelin
In this workshop you will explore clever ways to open your creative mind and learn how to see flowers blooming within your artwork. We'll use innovative exercises which will stimulate your imagination and train your eye. Painting colorful textured washes will inspire you to see hidden floral shapes within the abstract background of your pieces. Using negative painting techniques we will paint flowers that are vivid and imaginative.
There are many ways to paint flowers. This workshop will help you as an artist become aware of the many possibilities you have to make your flowers stand out from the ordinary.
This class is packed with demos, guided practices, and individual help. All skill levels welcome. No drawing skills required.
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[Title] => Watercolor Landscapes using Negative Painting Techniques with Lorraine Rimmelin | Sat 1/22 | 10am-4pm | Spring 2022
[OnlineRegistrationDescription] => Have you ever asked yourself these questions? How do I paint loose watercolor landscapes? How do I create depth in my landscapes? How do I breathe new life into my landscapes?
If so, then this workshop is for you. Negative painting can add amazing depth to your landscapes. In this workshop we will explore the use of negative painting and why it's so important for artists to understand this essential technique. We will clearly define what negative painting is and how to see the negative shapes. You will study the importance of using creative brushstrokes, value changes, and most importantly how to incorporate negative painting into your landscapes. Learn how to paint beautiful washes that will allow you to create depth and distance.
No drawing skills required - all skill levels welcome.
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Paint: 2 reds, 2 blues, 2 yellows ( a set of each in warm & cool) (plus any colors you like painting with)
These are some examples of warm vs cool colors:
Yellow : cad med yellow vs. lemon yellow
Red: cad med red vs. Alizarin crimson
Blue: ultramarine blue vs. pthalo blue
Paper: 2 pieces of 11" x 15" 140 lb watercolor paper
Additional Supplies: pencil & eraser, masking tape or large clips & a board to hold paper, spray bottle of water, 2 water containers & paper towels, a palette with a large mixing area.
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[Title] => Watercolor Sky & Water Workshop with Lorraine Rimmelin | Saturday 9/24 10am - 2pm | Fall 2022
[OnlineRegistrationDescription] => Sky & Water Watercolor Workshop with Lorraine Rimmelin
Whether it's a glowing sunrise or a stunning sunset, painting the beauty of a natural moment is the dream of the artist. In this workshop we will explore the use of watercolor, big brushes, and big brushstrokes to create skies that are filled with color and movement. Watercolor applied that is applied to paper and then allowed to mix & flow can help us achieve heavenly results. Layering washes will give us translucent colorful skies which will be reflected in the water below. Adding a small amount of details in our foregrounds will ground our skies and create stunning final results.
Allow yourself to join in the fun and paint the colorful skies you once thought were impossible! All levels welcome.
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[SupplyList] => Brushes:- #10 round
- 1" or 2" flat
- #6 rigger
- A stripper brush (it's like a rigger but with longer hairs)
- Any other brushes you like to paint with
Paint:- Ultramarine Blue
- Alizarine crimson
- Aureolin yellow
- Pthalo blue
- Cadmium red hue
- Lemon yellow
- Burnt umber
- Raw sienna
Paper:
- 2 pieces of 11" x 15" 140lb watercolor paper (we recommend Arches 140lb or Fabriano Artistico 140lb)
Additional Supplies:- pencil & eraser
- masking tape or clips and a large board to hold paper
- spray bottle of water
- 2 water containers
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- a palette with a large mixing area
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