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[Description] => Acknowledging the Negative - Lorraine Rimmelin - 1 day workshop- Sat 5/8 10am-2pm
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[Title] => Acknowledging the Negative: A Watercolorists Guide to Negative Space - with Lorraine Rimmelin | One Day Workshop: 5/8 | Spring 2021
[OnlineRegistrationDescription] => This is a terrific workshop for experienced artists aspiring to advance their skills, or for artists seeking an introduction to the important concept of using negative space in their paintings. Innovative examples will help artists become aware of the many possibilities they can explore. Strengthen your command and execution of washes, values, and edges. Join Lorraine as she leads students step by step through the joys of negative painting. All skill levels welcome. No drawing skills required.
Watercolorist Lorraine Rimmelin strives for a level of excitement and movement that engages the viewer in her interpretation of nature; finding dynamic juxtapositions in groups of flowers or shapes in a sunrise, and capturing the essence of these images as she develops her paintings.
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[SupplyList] => • BRUSHES: #6 & #10 Round, 1” flat Rigger, Bring any brushes your enjoy painting with
• PAINT: 1 of each- Red, Yellow, and Blue. I use Daniel Smith & Holbein paints. Bring your favorite brand paints & colors
• PAPER: 4 pieces of watercolor paper about 11”x14”. I use Arches 140lb and Fabriano Artistico 140lb, bring your favorite paper.
Additional Supplies:
• Pencil & Eraser
• Masking tape or large clips
• Drawing board (or other board to hold paper
• Spray bottle of water
• Blow dryer
• 2 water containers
• A palette with an area for mixing colors
• Paper towels
• Tracing paper
This list is to allow you to have the essential supplies needed without overburdening you with unnecessary items for a 1 or 2 day workshop. You may bring any supplies you are comfortable painting with.
MOST IMPORTANT:
Bring a cheerful & playful spirit! This workshop is designed to introduce you to watercolor painting in a friendly & nurturing environment.
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[ShortDescription] => Alcohol Ink-Rimm- June
[Description] => Alcohol Ink Workshop - Lorraine RImmelin - 2 day workshop- Sat 6/5&6/12 10am-2pm
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[Title] => Alcohol Ink: Simple Techniques = Vivid Results - with Lorraine Rimmelin | 2-Day Workshop: 6/5&6/12 | Spring 2021
[OnlineRegistrationDescription] => Painting with Alcohol Inks can be enjoyed by everyone from the professional artist to those who have never painted before. In this 2 day workshop you will explore using the inks, discovering what they can do & begin to paint and pour creative fun images. You will learn new & exciting ways to render loose & spontaneous florals & landscapes. The possibilities of what you can achieve using Alcohol Inks is only limited by your imagination. Day 1 we will be painting on TILE. Day 2 we will be painting on YUPO PAPER. Join Lorraine and enjoy the endless ways Alcohol Inks seem to defy imagination! This class is for all skill levels. No drawing skills required.
Watercolorist Lorraine Rimmelin strives for a level of excitement and movement that engages the viewer in her interpretation of nature; finding dynamic juxtapositions in groups of flowers or shapes in a sunrise, and capturing the essence of these images as she develops her paintings.
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[SupplyList] => • ACOHOL INK: can be purchased at Muchael’s or Hobby Lobby (use a coupon for best price). They come in a 3-pack, choose any colors you like. I suggest 2 3-packs. There are several different brands to choose- pick whichever ones are carried in the store your go to (brands include Ranger, Adirondack, Pinata, or Arto)
• Tiles – Plain white GLAZED ceramic tiles- These are very inexpensive so bring at least 6. You can purchase several different sizes and shapes of tile at Home Depot or Lowes. You’ll need 4”x4” & 6”x6”. 3”x6” & larger are good for landscapes.
• Yupo Paper – 2 pieces 5”x7” or larger
• Photo Printing Paper – You will paint on the back, so it must not have any ptinging on back
• Alcohol – Rubbing, 91% (NOT 70%)
• Small Round Brushes - #3 or #4 liner brushes, #2 or#3 round, (bring any brushes you like)
• Small welled palette – 6 wells
• Make-Up Sponges – wedges (dollar store)
• Cotton pads – round or square (dollar store)
• Gloves
• Scissor
• Canned Air – (“dust off’ canned air, cleans electronics) can be found at Walmart, Target, BigLots
• Board to hold your paper (drawing board, cardboard, matte board or foam board)
• Paper Towels
Optional Items:
• Stamper with Felt Pads also called Ink Applicator by Ranger
• Squeeze bulb to blow ait (Hobby Lobby or Amazon)
• Sharpie markers in assorted colors
• Lazy Susan to help turn the art as you work
• Small eyedropper or pipette
• 5”x7” Frame with glass – (dollar store) optional
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[ShortDescription] => AllaPrima - Nov Workshop
[Description] => Alla Prima Portrait Painting with Liz Masi | Fri-Sun | 11/12-11/14| 10AM-4PM | Fall 2021
[StatusDescription] => Canceled
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[Title] => Alla Prima Portrait Painting with Liz Masi | Fri-Sun | 11/12-11/14| 10AM-4PM | Fall 2021
[OnlineRegistrationDescription] => Working quickly to capture likeness was a technique used by John singer-Sargent, Richard Schmidt, Max Ginsburg, and many other artists to achieve a fresh work of art, not labored but easy and exciting. Join Liz and watch her achieve likeness in oil working from live models. Mornings will feature instructor demonstrations; students will paint in the afternoons using ideas and skills they have learned. Liz gives individualized instruction and a different models sits each day. Feel free to work in your medium of preference - bring oils, pastels, or watercolors.
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[ShortDescription] => Botanical Wkshp May
[Description] => Botanical Watercolor - Alstroemeria, Liz Fusco, May
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[StatusDate] => 2021-05-19T06:09:55.28
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[SpecialNotes] => ALLI Virtual Classes are hosted on Zoom:
• Click the link in your confirmation email to access the virtual classroom. The meeting will start when the instructor (the meeting host) arrives.
• Make sure you download the Zoom app on the device you plan to use PRIOR to the start of class.
Tuition for virtual classes in non-refundable.
[Title] => Botanical Watercolor - Alstroemeria | One-Day Workshop with Liz Fusco | March | Spring
[OnlineRegistrationDescription] => If you have always wanted to learn how to paint Botanical subjects in watercolor, this class is for you. We will create a painting of an Alstroemeria flower from start to finish. Working from a photo, students will transfer a drawing onto watercolor paper and start with learning how to apply layers of washes and build up to a finished painting.
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[SupplyList] => • Paints: Winsor & Newton, or Daniel Smith (not Cotman) - Cadmium Yellow, Lemon Yellow, French Ultramarine, Cobalt Blue, Scarlet Lake, Permanent Rose, Sap Green, Payne’s Grey or Neutral Tint Burnt Sienna
• Paper: Arches 140 lb cotton watercolor paper, hot press - You can purchase a block or single large sheets
• Support for your sheets of paper- either a wooden board ( I use foam core from the Dollar Tree)
• Artist’s tape
• Tracing paper
• Pencils: H, 2B, 4B, 6B and kneaded eraser and a good pencil sharpener
• Brushes: I use a variety of brushes. Some synthetic and some Kolinsky sable from Winsor & Newton I recommend either: round #4, #8 and maybe one flat wash brush
• Palette: Any kind to hold your paint. I use Mijello and some ceramic palettes as well
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[ShortDescription] => Botanical Wkshp April
[Description] => Botanical Watercolor - Stargazer Lilies, Liz Fusco, April
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[SpecialNotes] => ALLI Virtual Classes are hosted on Zoom:
• Click the link in your confirmation email to access the virtual classroom. The meeting will start when the instructor (the meeting host) arrives.
• Make sure you download the Zoom app on the device you plan to use PRIOR to the start of class.
Tuition for virtual classes in non-refundable.
[Title] => Botanical Watercolor - Stargazer Lily | One-Day Workshop with Liz Fusco | March | Spring
[OnlineRegistrationDescription] => If you have always wanted to learn how to paint Botanical subjects in watercolor, this class is for you. We will create a painting of a stargazer lily from start to finish. Working from a photo, students will transfer a drawing onto watercolor paper and start with learning how to apply layers of washes and build up to a finished painting.
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[SupplyList] => • Paints: Winsor & Newton, or Daniel Smith (not Cotman) - Cadmium Yellow, Lemon Yellow, French Ultramarine, Cobalt Blue, Scarlet Lake, Permanent Rose, Sap Green, Payne’s Grey or Neutral Tint Burnt Sienna
• Paper: Arches 140 lb cotton watercolor paper, hot press - You can purchase a block or single large sheets
• Support for your sheets of paper- either a wooden board ( I use foam core from the Dollar Tree)
• Artist’s tape
• Tracing paper
• Pencils: H, 2B, 4B, 6B and kneaded eraser and a good pencil sharpener
• Brushes: I use a variety of brushes. Some synthetic and some Kolinsky sable from Winsor & Newton I recommend either: round #4, #8 and maybe one flat wash brush
• Palette: Any kind to hold your paint. I use Mijello and some ceramic palettes as well
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[Description] => Botanical Watercolor - Tulip, Liz Fusco, March
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[SpecialNotes] => ALLI Virtual Classes are hosted on Zoom:
• Click the link in your confirmation email to access the virtual classroom. The meeting will start when the instructor (the meeting host) arrives.
• Make sure you download the Zoom app on the device you plan to use PRIOR to the start of class.
Tuition for virtual classes in non-refundable.
[Title] => Botanical Watercolor - Tulips | One-Day Workshop with Liz Fusco | March | Spring
[OnlineRegistrationDescription] => If you have always wanted to learn how to paint Botanical subjects in watercolor, this class is for you. We will create a painting of a tulip from start to finish. Working from a photo, students will transfer a drawing onto watercolor paper and start with learning how to apply layers of washes and build up to a finished painting.
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• Paper: Arches 140 lb cotton watercolor paper, hot press - You can purchase a block or single large sheets
• Support for your sheets of paper- either a wooden board ( I use foam core from the Dollar Tree)
• Artist’s tape
• Tracing paper
• Pencils: H, 2B, 4B, 6B and kneaded eraser and a good pencil sharpener
• Brushes: I use a variety of brushes. Some synthetic and some Kolinsky sable from Winsor & Newton I recommend either: round #4, #8 and maybe one flat wash brush
• Palette: Any kind to hold your paint. I use Mijello and some ceramic palettes as well
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[ShortDescription] => Anatomy-McEvoy - 1/29-3/5
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[OnlineRegistrationDescription] => This workshop is a drawing course designed to fuse together both the ability to construct the human figure from knowledge of anatomy, and to observe the figure through the training of the eye. Drawing from extensive anatomical texts, and working with the model, this course will deepen all artist’s understanding of human form, and how to depict it in their own work. This course is not designed to introduce a style, per se, but rather, equips the students to incorporate the human figure in their work, as they desire.
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[ShortDescription] => Creative Resilience 10/17
[Description] => Creative Resilience - Constance Wain Schwartz, Saturday 10/17, 1-3pm
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[SpecialNotes] => This class is part of ALLI's 'Under the Tent' Program, and takes place outdoors. Masks are required. Dress appropriately.
ALLI's "Under the Tent' program is made possible by a generous donation by Ace Canvas and Tent. http://www.acecanvasandtent.com/
[Title] => Creative Resilience - with Constance Wain Schwartz | Oct 17
[OnlineRegistrationDescription] => Creative Resilience - A Workshop for Our Time
Artist, humanistic Art Educator, and registered Art Therapist draws from her extensive experience and training to serve as catalyst in helping others discover a deeper appreciation for their creative process. She sees the Expressive Arts as an important link in maintaining health and well being , for fine tuning our inner experiences, vitality and awareness, to meet outside challenges.
As part of her belief that teachers and healers need to recharge themselves in order to assist others, the workshop offers tools for discovery in a supportive, friendly atmosphere, with music. The use of guided imagery with music, contributes to our discoveries.
In addition to being a professional.exhibiting artist, Connie has conducted courses for the Staff Development Center of the Islips, served on the faculties of School of Visual Arts, East Islip School District, Art League of Long Island, Usdan Center for the Arts, Hofstra Graduate Art Therapy Center as well as presenting member of the American Art Therapy Delegation to China in May 1995. She received her BA from Queens College, MA from LIU, with extensive training in Pratt's Graduate Creative Therapies Department.
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ALLI's "Under the Tent' program is made possible by a generous donation by Ace Canvas and Tent. http://www.acecanvasandtent.com/
[Title] => Creative Resilience - with Constance Wain Schwartz | Oct 24
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Artist, humanistic Art Educator, and registered Art Therapist draws from her extensive experience and training to serve as catalyst in helping others discover a deeper appreciation for their creative process. She sees the Expressive Arts as an important link in maintaining health and well being , for fine tuning our inner experiences, vitality and awareness, to meet outside challenges.
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In addition to being a professional.exhibiting artist, Connie has conducted courses for the Staff Development Center of the Islips, served on the faculties of School of Visual Arts, East Islip School District, Art League of Long Island, Usdan Center for the Arts, Hofstra Graduate Art Therapy Center as well as presenting member of the American Art Therapy Delegation to China in May 1995. She received her BA from Queens College, MA from LIU, with extensive training in Pratt's Graduate Creative Therapies Department.
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[SpecialNotes] => In-person classes at ALLI follow safety protocols for social distancing.
All students are required to wear a mask in the building and under the tent at all times.
[Title] => Under The Sea Watercolor Workshop: Using negative painting techniques - with Lorraine Rimmelin |1-Day Workshop: 5/22 | Spring 2021
[OnlineRegistrationDescription] => Seahorses and Starfish are fun subjects to paint because of their fascinating shapes and extraordinary colors. In this workshop ‘Under the Sea’ Lorraine will guide you as you paint the negative space which allows the image to come to life. Painting sea life can be as calming as a day at the shore and there is no limit on the colors you can use.
Join Lorraine and discovering how effortless it can be to paint these adorable sea creatures using negative painting techniques. Attending 'Acknowledging the Negative' is recommended for those artists who may not be familiar with negative painting.
Watercolorist Lorraine Rimmelin strives for a level of excitement and movement that engages the viewer in her interpretation of nature; finding dynamic juxtapositions in groups of flowers or shapes in a sunrise, and capturing the essence of these images as she develops her paintings.
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[SupplyList] => • BRUSHES: #6 & #10 Round, 1” flat Rigger, Bring any brushes your enjoy painting with
• PAINT: 1 of each- Red, Yellow, and Blue. I use Daniel Smith & Holbein paints. Bring your favorite brand paints & colors
• PAPER: 4 pieces of watercolor paper about 11”x14”. I use Arches 140lb and Fabriano Artistico 140lb, bring your favorite paper.
Additional Supplies:
• Pencil & Eraser
• Masking tape or large clips
• Drawing board (or other board to hold paper
• Spray bottle of water
• Blow dryer
• 2 water containers
• A palette with an area for mixing colors
• Paper towels
• Tracing paper
This list is to allow you to have the essential supplies needed without overburdening you with unnecessary items for a 1 or 2 day workshop. You may bring any supplies you are comfortable painting with.
MOST IMPORTANT:
Bring a cheerful & playful spirit! This workshop is designed to introduce you to watercolor painting in a friendly & nurturing environment.
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[ShortDescription] => WC Workshop Rimmelin Jan
[Description] => Watercolor Landscapes using Negative Painting Techniques | Lorraine Rimmelin | 1/22
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[Title] => Watercolor Landscapes using Negative Painting Techniques with Lorraine Rimmelin | Sat 1/22 | 10am-4pm | Spring 2022
[OnlineRegistrationDescription] => Have you ever asked yourself these questions? How do I paint loose watercolor landscapes? How do I create depth in my landscapes? How do I breathe new life into my landscapes?
If so, then this workshop is for you. Negative painting can add amazing depth to your landscapes. In this workshop we will explore the use of negative painting and why it's so important for artists to understand this essential technique. We will clearly define what negative painting is and how to see the negative shapes. You will study the importance of using creative brushstrokes, value changes, and most importantly how to incorporate negative painting into your landscapes. Learn how to paint beautiful washes that will allow you to create depth and distance.
No drawing skills required - all skill levels welcome.
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[SupplyList] => Brushes: #8 & #10 1" flat, #6 rigger (and any brushes you like painting with)
Paint: 2 reds, 2 blues, 2 yellows ( a set of each in warm & cool) (plus any colors you like painting with)
These are some examples of warm vs cool colors:
Yellow : cad med yellow vs. lemon yellow
Red: cad med red vs. Alizarin crimson
Blue: ultramarine blue vs. pthalo blue
Paper: 2 pieces of 11" x 15" 140 lb watercolor paper
Additional Supplies: pencil & eraser, masking tape or large clips & a board to hold paper, spray bottle of water, 2 water containers & paper towels, a palette with a large mixing area.
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